Aside from the above range from the lightest of grey to the darkest of blacks, coloured pencils (also called "pencil crayons") are also available. These are versatile, and can be used for tasks as varied as colouring in a child's colouring book or creating life-like renderings. They do not contain graphite, but rather a core consisting of pigment bound to gum and clay.
The core of pencils wears down as it is written with (it is literally left behind on the paper), and the wooden or plastic sheath must be sharpened away to reveal more of the core. This can be done with a pocket-knife or special "pencil sharpener." These can be as simple as a small blade encased in a square of metal, or as elaborate as electronic, pressure sensitive, "automatic sharpeners."
In the art world, the pencil has traditionally been seen as an instrument for impromptu sketching to remember a composition for later, or as a way to mark lightly and map out a drawing before commencing the "real" art (usually painting). However, it is safe to say that the pencil has come to be viewed as an art medium in its own right.
Hyman L. Lipman of Philadelphia patented a pencil with an attached eraser on March 30, 1858. The metal ring which is crimped to hold the eraser in place is known as a ferrule.
A "mechanical pencil" or "propelling pencil" is one in which the graphite core can be refilled over and over, by inserting it into the removable cap and clicking the mechanism to feed out the desired amount of graphite as it wears down. These were widely used in the Victorian era, when pencil casings were often made of precious metal, and intricately carved.
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